Huub van der Linden: A Bio-bibliographical Approach to the Circulation
of Italian Oratorio around 1700:
The Case of Francesco Pistocchi and Il
martirio di san Adriano
In contrast to
opera seria, the study of the circulation and revision of the music and
librettos of the Italian oratorio in seventeenth- and eighteenth-century Europe
is meager. An examination of the life of singer and composer Francesco Antonio
Pistocchi and the circulation of his oratorio Il martirio di san Adriano provides an argument for the
inclusion of work-centered, bio-bibliographical scholarship, alongside research
on geographical centers, in the field of music circulation.
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