Linda Maria Koldau: Kompositorische
Topoi als Kategorie fr die Analyse von Filmmusik
The essay introduces
an approach to film music based on the identification
of small-scale compositional
structures and their semantic function. Various film examples illustrate how compositional topoi such as ostinati and the minor second are able to supply an important element in the overall expressive intention of a film scene. Although such a microanalysis of
a sceneŐs specific elements must ultimately
be placed within the context
of a filmŐs overall structure, it proves
helpful in the analysis of film music to examine them carefully
with regard to their traditional compositional usage and to their relationship to semantics.
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