Frank Hentschel: Formen neuer TonalitŠt in der zweiten HŠlfte
des 20. Jahrhunderts*
In spite of the established view
in music historiography that new music in the twentieth century is essentially
characterised by atonality, it is notable that explorations into new models of
tonality stand out as a significant feature of new music in the second half of
the century. This premise is demonstrated by selected examples which, due to
their differing approaches, are subdivided into systematic groups that allude
either to functional tonality or historical models of tonality, or create new
directions in tonal composition via extreme reduction.
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